Showing posts with label alternative rock. Show all posts
Showing posts with label alternative rock. Show all posts

Monday, March 30, 2009

WEEZER - STILL 'RED' HOT

Considering that most rock bands don’t last five years in the music business, you’d expect one that has thrived for more than 15 to stick to its proven formula for success. But on their latest self-titled release (a.k.a. The Red Album), the members of L.A.’s power-pop-rock band Weezer decided to shake things up a bit.

“One of my greatest challenges this time was to write songs that didn’t have the same old verse-chorus-bridge structure,” says singer, songwriter, and guitarist Rivers Cuomo in a press release for the album.

Beyond arrangements and song structures, a more obvious change can be found in the song credits. Weezer’s biggest hits from its previous five albums include “Buddy Holly,” “Say It Ain’t So,” “Undone (The Sweater Song),” “Hash Pipe,” “Island In The Sun” and “Beverly Hills” — all written and sung by Cuomo. On The Red Album, all four members of the band, which also includes guitarist Brian Bell, drummer Pat Wilson, and bassist Scott Shriner, contribute to the songwriting, and each takes a turn on lead vocals.

In an exclusive interview last September, Bell said that Cuomo’s decision to more fully involve the entire group in the creative process generated a sense of camaraderie that blossomed when the band regrouped for some unique live performances in the summer of 2008.

Dubbed “the Hootenanny Tour,” it allowed musically inclined fans to bring their acoustic guitars and other instruments to the shows and play along with their heroes on a set of Weezer originals and covers. The lucky participants were selected in advance via YouTube tryouts.

“It was more fun than I could possibly imagine,” Bell said. “We hadn’t played live for [more than two] years as a band, and it was a really good way to get our feet wet again. It really helped get a great vibe going within the band and was a great bonding experience between us.”

Much of the thrill for both the band and the fans stemmed from the interactive nature of the shows.

“We didn’t know what to expect,” Bell says. “We weren’t up on a stage. We were in the middle of the floor, and the people were between us. It was kind of frightening at first, but the energy was so positive, and the smiles on people’s faces were so welcoming and inviting that we all relaxed and had a great time.”

Here's "The Greatest Man That Ever Lived" from The Red Album:



Bell said that same sense of fun and rekindled excitement within the band was evident on the group’s recent tour.

“We’re utilizing everybody’s talents, the way that I always wanted to,” he said. “Along with playing bass, Scott has keyboards on his side of the stage. I also have some keyboards, as well as vocal responsibilities. Pat sings and plays guitar. Rivers plays some drums. It’s fun for all of us to show what we can do in addition to playing our usual instruments.”

Much of the media attention Weezer has received lately focuses on the more democratic nature of the group, largely because in the past Cuomo was perceived as a control freak — a view further propagated by the fact that he was uncomfortable with interviews and media attention in general. As James Montgomery wrote for MTV News, “[Weezer] was seen as his personal vehicle, operating on his personal schedule and subject to his personal whims.”

But Bell, who joined the group prior to the recording of the band’s self-titled 1994 debut (a.k.a. The Blue Album), says all members of the band have always had creative input in the recording process.

“We’ve always contributed things like introductions, suggestions of arrangements, the feel of songs, ideas for sounds,” he says. “Of course, Rivers is extremely talented and knows what he wants. I think he’s one of the best melodic writers of our time. If he has a melody and a song that he’s into, I try my best to see his dream through and make it a reality.”

Bell also believes that, as Cuomo has gotten older, he has become more comfortable with the non-musical aspects of the music business.

“There was a time when Rivers would give a number to the amount of interviews he was going to do for an album cycle,” Bell says. “It’s not his favorite thing to do. But I see him getting much, much, much better at it — really answering questions truthfully, and with some wit, and not letting it affect him so much.”

If nothing else, Cuomo finally seems comfortable in his own skin. While he’s always written from the perspective of someone out-of-step with the trendy and popular, his lyrics on The Red Album seem to embrace his inner geek.

“I’m ‘a do the things that I want to do / I ain’t got a thing to prove to you” he sings on “Pork and Beans.”

With a revitalized sense of purpose, it’s no surprise that Weezer is already making tentative plans to record its next album, currently penciled in for a late 2009 release.

“There are so many incarnations and periods of the band that it does feel fresh and new again,” Bell says. “I keep using the word ‘fresh,’ but it’s really true. I don’t feel burned out. In a way this feels like a first album for this band.”





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Tuesday, March 24, 2009

METALLICA, KANYE WEST, PERRY FARRELL & TORI AMOS AT THIS YEAR'S SXSW MUSIC FESTIVAL

Does the performance of a superstar act like Metallica help or hurt SWSW?

The South by Southwest Music Festival, or SXSW for short, is one of the biggest, most high-profile annual music festivals in the United States. The Austin, Texas event is one of three festivals (film and interactive media are the focus of the other two) hosted by Austin each year.

Originally geared to music industry professionals to showcase unsigned or up and coming talent on a national level, the twenty-three-year-old event is now a bona fide schmooze-fest for fans, media, and music industry insiders alike. It is the musical equivalent of France’s Cannes Film Festival, with a bit of Mardi Gras thrown in for good measure.

This year’s event ran from March 18 to 22 and featured more than 1,800 musical acts of all genres from around the globe performing on over eighty stages in downtown Austin. Traditionally, most of the performers at the Festival are up-and-coming acts for which an appearance at SXSW has provided early national exposure. For example, Lily Allen was one of the breakout performers at the 2007 Festival.

In recent years, however, more and more established acts have been making “surprise” appearances at SXSW. While their performances are welcomed and appreciated by the music fans in attendance, the presence of chart-topping stars naturally draws media and industry attention away from the newer artists SXSW was originally intended to spotlight.

This year’s Festival featured performances by superstar artists like Metallica, Kanye West, Perry Farrell, and Tori Amos. That was great for the fans, but perhaps not so great for Beach House, the Pepper Pots (pictured left), or any of the hundreds of other lesser-known artists that were trying to generate a buzz in Austin.

Here’s a YouTube video of Kanye West performing “Amazing” at this year’s SXSW (warning: graphic language):





The participation of a few established artists is beneficial to SXSW – it generates publicity, and fosters continued interest in the Festival and similar events around the country. But when it comes to superstars at SXSW, it's not a matter of the more the merrier. I hope that SXSW organizers will be wise enough to regulate the number of star performances in the future.

As it is, SXSW is the United States’ premier music event highlighting new or unknown artists. I’d hate to see it turn into just another red-carpet celebrity showcase.





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